As a videogame power fantasy, Arkham Knight is a heady brew. It makes me feel powerful, it makes me feel smart, and it adoringly invokes a pop culture icon and multi-billion dollar franchise that even the stuffiest of non-comic book readers can groove to. We live in a post-Dark Knight world where the Nolan brothers — who, for all I know, are drawing from some Frank Miller or Neil Gaiman thing I’ve never read — have represented the Batman/Joker dynamic as a dialectic straight out of Greek tragedy. Never mind this silly “have you ever danced with the devil in the pale moonlight” nonsense, plucked from a vat of colorful acid. This is Apollo and Dionysus. It is order and entropy, superego and id, lawful neutral and chaotic neutral. Forget mere good and evil. That stuff is easy. This is what D&D nerds in junior high school parsed when it took everyone else until they were gathered together in college dorms. Take it where you can get it. Gary Gygax, Jim Morrison, Nietzsche, Bob Kane.
After the jump, a videogame that goes beyond good and evil. Continue reading →