Chris: Berberian Sound Studio is an inverted horror movie. For the past month, we’ve seen again and again how the creative side–the cast and crew–affects a movie. Now we turn things inside out. Can the creative process of making a movie affect those who are working on it? Berberian Sound Studio says it definitely can, especially if the film is sufficiently filled with graphic images and depraved ideas. We’re shown a nebbish-like post production sound-mixing expert commissioned to work on such a film, and we watch it wreak havoc on his gentle sensibilities and mental health.
After the jump, I’d rather not get technical Continue reading →
Chris: The great triumph of this bravura bit of filmmaking from American horror auteur Ti West isn’t that he almost effortlessly creates a perfect facsimile of an early 1980s horror movie. Rather, it’s that by 20 minutes in we forget we’re watching a period piece and instead are completely invested in Samantha and the weird babysitting job she takes. What’s up with the creepy couple? Why are they offering so much money? What the heck is going on with the unseen “mother”? We’re so into the movie that we’ve forgotten that we’re not watching some great lost cable TV movie from back in the day.
After the jump, this one…she’s perfect. Continue reading →
Chris: I’ve found that folks love to talk about 28 Days Later and its sequel, 28 Weeks Later. That makes sense. Those two movies played a large part in helping put put zombie culture at the forefront of 21st century horror. They helped lever zombie everything into our current cultural lexicon. The problem I have with typical discussions of these films that I’ve been subjected to is that everyone seems to want to talk about the least-interesting thing about them.
After the jump, they’re zombies; deal with it Continue reading →