Writer/director Julia Ducournau’s spectacular debut movie, Raw, will get lumped in with a genre known as body horror, which is where gross stuff happens to someone’s body. That’s too bad, because it’s a genre rife with cheap gore, shock value for shock value’s sake, and godawful movies that seem awfully proud of the point they’re trying to make, much like a toddler would be proud of a bowel movement. And there’s really not a lot of room for subtlety in body horror. No one ever accused David Cronenberg of subtlety.
But Raw’s body horror is not its priority. It is only its vehicle. Raw is less interetsed in the grossness of biology than the urges that drive it. Like Prevenge, an upcoming (and unfortunately not very good) movie about pregnancy, Raw considers the unique dilemma of women besieged by the primal force of, well, biology. Although it doesn’t shy away from explicit gore, it skips past what would have been its goriest scenes. Not just because imagination is more powerful. An unforgettable and thunderously scored epiphany scene doesn’t leave much to the imagination. But because a fundamental facet of sexuality, over and above any act, is identity. Not what you’ve done, but what you feel. What you want.
I both have and haven’t said enough. The average review of Raw will ruin at least two of its reveals. Every trailer I’ve seen will ruin about a half dozen. Finding out what Raw is about is best left to Ducournau’s confident, stylish, and unnerving filmmaking, and actress Garance Merillier with her Rose Byrne doe eyes.
Although Raw isn’t ultimately body horror, it does earn a place in French extremism, which is just a fancy way of saying, “Damn, there are some people from France who really get horror!” Like Martyrs, still a bleeding edge of French extremism, Raw is about three or four things by the time it’s over, each building on the other in unexpected ways. But unlike Martyrs — or anything else in French extremism — Raw is curiously poignant, even tender. Heh, tender. Now I’ve said too much.
Raw is currently in limited release, hopefully at an arthouse theater near you.