Sony’s marketing for The Shallows calls it a taut thriller. Taut is a nice way of saying “low budget”. The production consisted almost entirely of filming someone waiting on a rock in the ocean. Before that, you get some heavy-handed character development. After that, you get about ten minutes of action with a CG shark. The most interesting character is a seagull. No lie. A seagull. Taut thriller. Pfft. The only thing taut is Blake Lively’s amazing body. You’d never guess from this movie, which uses her about as well as any calendar shoot uses its model, that Lively is so good in Age of Adeline. Why don’t you just watch that instead? If you want cheesecake in your shark movie, Saffron Burrows in Deep Blue Sea is plenty taut and the movie itself is a real hoot.
The Shallows has no appreciation for the eerieness of the sea, much less the terrible majesty of its shark. It must be difficult to make a 90-minute movie out of something that should be over in nine seconds (for another example, see (i.e. don’t see) Andrew Traucki’s The Reef). I don’t envy any filmmaker who has to make a thriller, taut or otherwise, about a woman not getting eaten by a shark for 90 minutes. But director Jaume Collet-Serra, so deft with Orphan and so confident with Run All Night, has nothing but the expected jump scares and some godawful found footage gimmicks. Thanks, GoPro. And what an utterly ludicrous finale. You know how in movies a bear or dragon or dog jumps at the hero, and the hero holds up a spear so the bear or dragon or dog impales itself? The Shallows is one of the most absurd variations on that theme I’ve ever seen. It wouldn’t be out of place in a Road Runner cartoon.
Hopefully, Sony will release an extended edition that has more scenes with the seagull.