Archive for March, 2013

, | Games podcasts

awesome-lord-british

While Tom is at GDC, Jason has a nice conversation with Gus Mastrapa about not going to GDC, how LEGO can melt the hardest of hearts, and why we envy Richard Garriott.

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, | Game reviews

a_fist_full_of_vigor

Bioshock Infinite is aptly named. It’s an ambitious and sometimes dazzling story far too big for the too familiar game that holds it. It contains multitudes and they’re all pinned under the boots of an unseen protagonist in a two-fisted first-person shooter, plasmid in one hand, rivet gun in the other. It is beautiful in the way that a snow globe is beautiful. Small, ruthlessly bounded, a little precious and silly, but its intricacy undeniably lovely in that diffuse light. I admire it more than I like it. I’m glad I played it, and although I’m pretty sure I’ll never play it again, I’ll be talking about it for a long time to come.

After the jump, let the talking — spoiler-free — commence Continue reading →

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, | Games

Peek-a-boo

Today’s update to Guild Wars 2 adds a whole mess of new content, including a revised World vs World system for its massive battles. Furthermore, ArenaNet has officially eliminated culling, the technique they used to get so many characters onscreen in PvP battles without bringing everyone’s framerate down. They basically cheated by just not drawing some of the characters. Which works, but then you can’t see who you’re attacking or — worse — who’s attacking you. It’s like a random invisibility spell for characters who aren’t even thieves!

Today, culling is gone. It’s been replaced with, well…I don’t know what it’s been replace with. Aggressive LOD technology? Higher system requirements? Faerie magicks? Whatever the solution, culling is the best thing removed from Guild Wars 2 since bots!

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, | Features

harmonizing_knight

The Nintendo 3DS gets a couple of major releases this week. Luigi’s Mansion: Dark Moon is a nifty adventure/exploration game. I really enjoy the playful haunted house production values, the gradually unfurling gameplay mechanics, and the chaotic ghost wrassling. It helps immensely that I don’t find Luigi as annoying as Mario. I don’t know what my problem is with Mario. Maybe because Luigi is a ridiculous character played for comedy, yet Mario is a ridiculous character played as if he wasn’t ridiculous. Why does that guy annoy me so much? I’ll have to explore that further with my therapist. But since Mario isn’t part of Luigi’s Mansion, it’s that much easier to enjoy.

I’m less fond of the latest Pokemon Mystery Dungeon game, subtitled Gates to Infinity. I’m still mired in the interminable Pokemon exposition, with squealing Pokemon imparting life lessons in colorful unskippable cutscenes. The ratio of squealing Pokemon to mystery dungeon is, at this point, about 3:1. I’m running out of steam. I can’t take it much longer. I know from playing the first Pokemon Mystery Dungeon that there’s going to be a deep and involved dungeon crawl deeper down in here. I just don’t know that I have the endurance to reach it, particularly since there are so many other alternatives for deep and involved dungeon crawls. The first Mystery Dungeon, for instance, which was entirely free of Pokemons.

The Nintendo 3DS release that I’m most enjoying is Harmoknight. I don’t know what to make of that name. It’s clunky at best, and misconstrued as a slur at worst. But this rhythm based game is friendly, colorful, enthusiastic, and carefully perched at the intersection of simple and challenging. I’ve also tried to play a bit of Gaijin Games’ Bit Trip Runner 2 recently, which is similar to Harmoknight, but often more frustrating. Harmoknight feels more cinematic, more catchy, like a bona fide musical crossed with a platformer. Runner 2 is just a straight up platformer that has no compunction about making me do stuff over and over again. Harmoknight is seeing Les Miserables. Bit Trip Runner 2 is reading the Victor Hugo novel.

Xbox Arcade gets a port of Terraria this week. I’ve sampled Terraria on the PC, and I can’t help but feel it would be right at home on the Xbox 360. Electronic Arts is releasing a new Tiger Woods game. I follow just enough sports to know it’s probably a dating sim. Electronic Arts is also releasing a new Army of Two game in case your army of two in the latest Dead Space isn’t enough.

Also Bioshock Infinite is out this week.

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, | Movie podcasts

falling_down

This week we see this year’s first White House under siege movie, Olympus Has Fallen. Who’s better at rescuing besieged Presidents? Gerard Butler or Channing Tatum? We won’t know the answer until June. If you want to avoid spoilers, skip to this week’s 3×3 at the 58-minute mark for our favorite meet cutes.

Next week: The Place Beyond the Pines

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, | Games

Lewis_Carroll_would_be_proud

I just starved to death on level 6 of Brogue, an old-school ASCII dungeon crawler available for the iPad. It takes a very particular dungeon crawler to let you starve to death. A real man’s dungeon crawler. Not some easy mode dungeon crawler where you can mosey about as long as you want because you never have to eat.

Here are the things I saw before I starved to death: a pontificating zombie, a crying toad, a skipping spider, a laughing unicorn, a quivering goblin mystic, a dancing troll, a whistling phoenix egg, a humming centipede, and a spinning will-o-the-wisp. It might have had something to do with that lavender potion I drank.

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, | Game diaries

Big_Brother_is_watching

The story of Amerikatown is the story of what makes SimCity Societies unique. Amerikatown began as a city hall at a crossroads, staffed by a handful of people from nearby apartments who drove to work every morning, stopped off at the grocery store on the way home, and then spent weekends at the baseball field. Where it went from there is unlike anything you’ll find in another city builder.

After the jump, I violently oppressed 20,000 people and all I got was this lousy monument? Continue reading →

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, | Games

Sunset_imminent

After some sort of split between the developer and publisher of Ascension — I couldn’t care less about the particulars — the game will stop working online after next year. You’ll be able to play against the AI, which is missing a setting that I’m guessing will still be missing when the game is switched off next year. But as a multiplayer game, it will cease to exist. It will be effectively EA’ed. From a press release you can read here:

When Stone Blade Entertainment launches Ascension Online on iOS (currently scheduled for July of 2014), Playdek’s Ascension iOS app will be removed from the app store, but Playdek will continue to support online play through the remainder of 2014.

In other words, the developer (Stone Blade Entertainment is the new name for Ascension developer Gary Games) will sell you their game a second time, but the game you already bought will no longer work online. Yet another nail in the coffin of the olden days when you could buy a game and be reasonably assured that it was yours to play in perpetuity.

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, | Games podcasts

down_for_a_week

Unfortunately the podcast is down this week. But we’ll be back next week with Vickie, McMaster, and Bioshock Infinite.

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, | Game reviews

lions_gorillas_and_cobras_oh_my

The monkeys stand for honesty, giraffes are insincere, and the elephants are kindly but they’re dumb. Zebras are reactionaries and antelopes are missionaries. Welcome to Totems.

Okay, not really. That stuff about monkeys and giraffes is way more complicated than Totems, a game about putting an animal head on a territory when it’s your turn. Period. That’s all you have to do. So you might think Totems is a modest thing. You’d be right. Maybe even a frivolous thing, utterly inconsequential and without enough maps for a puzzle this simplistic.

But hopefully you’ll play it a few more times and discover it’s no more inconsequential than any lovely two-minute strategy game. Here, I’ll teach you how to play. Put one of your six randomly drawn animal heads on a neutral territory to claim it and all identical adjoining totems. There. You now know everything you need to know about the rules. Now you can play against the AI, which tracks your score against the AI players, or online asynchronously.

What’s not so easy is gauging when a region is going to have only a single neutral space left so you can lay ultimate claim to its points. Now you’ve got to do some maneuvering around the fringes of the larger regions, trying to box them in, trying to secure their borders, trying to line up that ultimate claim, trying to…oh, rats, you don’t have any more cobras and now the map is awash in the other player’s color! Totems is also the perilous guesswork of calculating who has how many of what left, with some brinksmanship about who will hold out with the last monkey or wolf. It’s not over until it’s over, and in the context of its clean simple gameplay and evocatively primeval artwork, there will be many reversals of fortune along the way.

4 stars
iOS

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, | Game reviews

that's_no_kantus

Gears of War Judgment isn’t a new game. It’s a remix. And a pretty good remix that fits Gears of War like a glove. What better way to present a game world that consists of a series of boxes than as a series of boxes? Judgment is divided into discrete bite-sized chunks of shooting that derive meaning not from the story — a series of flashbacks from B- and C-list characters — but from a scoring system. It’s no surprise that People Can Fly, the developers of Bulletstorm, know that there are other ways to make you want to shoot things than making a good game.

After the jump, I shoot, I score Continue reading →

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, | Game reviews

tales_of_the_naked_Lego_City

All this time I was thinking it was the Indy, the Darth Vader, the Batman, the Aragorn and the Legolas. You’d think I would have wised up when I found myself enjoying a Lego Harry Potter. I don’t know a Hogwarts from a quidditch and yet there I was Harry Pottering it up, collecting spells, hoovering up studs, and exploring some sort of kid wizard academy.

And now here I am supergrooving on Lego Undercover City, a game divorced entirely from unLego licensing. I’m tapped into the gameplay 100%, without any preloaded disposition towards the setting or characters. Not that the setting and characters don’t matter. They do. The setting matters because it’s so inventive and varied. The characters matter because they’re well written and enthusiastically acted. Furthermore, this is a funny game, with clever riffs on pop culture and charmingly awful wordplay. “That’s one small step, foreman,” a NASA technician says to another worker when he stumbles. I laughed.

But there’s no licensing hook for me here and the big revelation is that I don’t need it.

After the jump, maybe I never needed it Continue reading →

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