In the movie Curve, Dancing with the Stars dancer Julianne Hough gets trapped in a car wreck while a psycho killer stalks her. Her leg is stuck, so she isn’t going anywhere. This makes things pretty easy for the psycho killer, but there’s still about an hour of movie left, so a bunch of stupid stuff happens. The Curve I’m talking about is not that one.<\/p>\n
This Curve is a short film by Tim Egan, an Australian cinematographer whose short didn’t quite make the cut in ABCs of Death 2, so it was chucked into a B-side release called ABCs of Death 2.5. Having already seen 52 ABCs of death, of which maybe 10 aren’t terrible and 3 or 4 of those are actually good, I didn’t have it in me to watch another 26. I might have to rethink my decision after watching Egan’s latest short film, Curve.<\/p>\n
Curve is a horror movie about friction. Literal friction. The principle of physics governing the movement of two surfaces in contact with each other. But being a thoughtful horror short, it’s not really about what it’s about. I’d say it’s a metaphor for the human condition, but of course I would, because I’ve taken a few too many undergraduate philosophy classes. Some habits are hard to shake. Still, I can’t help but think that Curve is to short films what No Exit is to the theater. But unlike a production of No Exit — those characters are so annoying — Curve is mesmerizing, memorable, and ultimately slick. And it only takes about ten minutes of your time.<\/p>\n