{"id":43104,"date":"2017-05-23T00:37:39","date_gmt":"2017-05-23T07:37:39","guid":{"rendered":"http:\/\/www.quartertothree.com\/fp\/?p=43104"},"modified":"2017-05-31T15:39:02","modified_gmt":"2017-05-31T22:39:02","slug":"wire-season-1-episode-5-just-jump-5","status":"publish","type":"post","link":"https:\/\/www.quartertothree.com\/fp\/2017\/05\/23\/wire-season-1-episode-5-just-jump-5\/","title":{"rendered":"The Wire, season 1, episode 5: just jump the 5!"},"content":{"rendered":"<p>In bad movies, the villain tells the hero, &#8220;You&#8217;re just like me!&#8221;  The hero tends to disagree, or at least get upset about being in a movie with moral ambiguity.  Now the hero is less of a good guy and\/or the bad guy is less of a bad guy.  Now the moral ambiguity is laid out for everyone to see.<\/p>\n<p><strong>The better way to imply moral ambiguity is what The Wire is doing.<\/strong><!--more--><\/p>\n<p>The parallels between the two factions in The Wire are plain enough and the series doesn&#8217;t need to call attention to them.  But what keeps getting me &#8212; this is only five episodes into the first of how many episodes of how many seasons? &#8212; is how consistently the characters are humanized instead of pigeonholed.  How they&#8217;re like each other, or like other people we didn&#8217;t expect them to be like.  Omar is the hardened always-one-step-ahead bad-ass, Brodie is the weasley punk, Herc (thanks for the heads-up on the spelling last week!) is the abusive asshole white cop, Bubs is the redeemed junkie, and Pryzbylewski is the good-for-nothing fuck-up consigned to the basement.<\/p>\n<p>But wait, there&#8217;s more!  Omar is gay (I like how Avon Barksdale and Stringer Bell take this fact in stride, very matter-of-factly, as a data point instead of a revelation) and in a loving relationship, which is a much bolder choice than Kima being gay.  Brodie and Herc play pool and enjoy an easy banter while waiting for some duty officer to show up.  Herc even bought him a sandwich.  Bubs goes from dismay to eagerness when his friend in rehab says he can&#8217;t wait to get high again.  And those quick shots of Pryz whiling away the time playing word search puzzles pay off. I value few things in storytelling as much as I value the unexpected.<\/p>\n<p>My favorite shot of the episode:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.quartertothree.com\/fp\/wp-content\/uploads\/2017\/05\/Omar-in-the-Dell.jpg\" alt=\"\" width=\"719\" height=\"540\" class=\"alignnone size-full wp-image-43105\" \/><\/p>\n<p>It recalls these shots that made quite the impression on my teenage brain many years ago:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.quartertothree.com\/fp\/wp-content\/uploads\/2017\/05\/Pre-Omar.jpg\" alt=\"\" width=\"720\" height=\"390\" class=\"alignnone size-full wp-image-43106\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.quartertothree.com\/fp\/wp-content\/uploads\/2017\/05\/Pre-Omar-1.png\" alt=\"\" width=\"797\" height=\"426\" class=\"alignnone size-full wp-image-43111\" \/><\/p>\n<p>But why couldn&#8217;t he have been whistling something besides The Farmer in the Dell?  Public domain is for chumps.<\/p>\n<p>Finally, as I watch The Wire, I can feel draining from me the awareness that Idris Elba has a British accent.  With each episode, that fact get more and more remote.<\/p>\n<p>(Wondering what&#8217;s all this stuff about an old TV show?  If you support <a href=\"https:\/\/www.patreon.com\/tomchick\">my Patreon campaign<\/a> for $10 or more, once a month you&#8217;ll have to opportunity to assign me a review.  The first season of The Wire won one of the recent drawings.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In bad movies, the villain tells the hero, &#8220;You&#8217;re just like me!&#8221; The hero tends to disagree, or at least get upset about being in a movie with moral ambiguity. Now the hero is less of a good guy and\/or the bad guy is less of a bad guy. Now the moral ambiguity is laid [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":43109,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[434],"class_list":["post-43104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-television","tag-patreon-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Wire, season 1, episode 5: just jump the 5! - Quarter to Three<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.quartertothree.com\/fp\/2017\/05\/23\/wire-season-1-episode-5-just-jump-5\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Wire, season 1, episode 5: just jump the 5! - Quarter to Three\" \/>\n<meta property=\"og:description\" content=\"In bad movies, the villain tells the hero, &#8220;You&#8217;re just like me!&#8221; The hero tends to disagree, or at least get upset about being in a movie with moral ambiguity. 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