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Thread: One man's model for reforming the music industry: "The Privateer Manifesto"

  1. #1
    New Romantic
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    One man's model for reforming the music industry: "The Privateer Manifesto"

    http://www.thedailyswarm.com/swarm/c...it-save-music/

    Quote Originally Posted by Chris Holmes
    While we all bemoan the death of retail market and the homogeneity of a monopoly, we sit on top of a potential and inevitable revolution, where at least for a while the artists and their fans can control their own fate. In the days of the major label, it was difficult if not impossible to collaborate with other artists because of contractual obligations and restrictions. Those days for the most part are gone; in their absence, we need build up a community of artists for artists, an artistic league of nations. This is a call for open source collaboration, to build out the model and spread the word. We can all be our own record store, bookstore or movie store; in that individuality, we are guaranteed diversity and support of the arts. Fans need to know that the money they spend on the arts goes directly to the artists they support, and this process should be as transparent as possible. People who are doing the work of promoting and sharing that art need to be rewarded; as such, diversity is guaranteed by the proliferation of stores based on a wide variety of tastes and interests. No longer will it make sense for a store to feature the same ten mainstream artists on their blogs and stores because a million other stores are hosting the same thing. People must be encouraged to explore and find new material to bring to other people, and artists will then be encouraged to take chances and develop their own style and fan bases. Together, we will flourish as we pull back from the brink, but only if we can invest in a new model that addresses these concerns. The name I have chosen for this model is “The Privateer System.”

    That name is based on the historical decree of the British Crown legitimizing piracy, so long as it was for the benefit of the crown. With The Privateer System, I am suggesting that as artists we do the same with file sharers and bloggers. The Privateer model provides a mode where tastemakers and file-sharers are rewarded and their contribution is encouraged, rather than in the current model, where they are looked at as a cancer that is eroding the system. We take that system, legitimatize it, and help the people doing the heavy lifting in the spread of music make a profit, all while making a profit for artists. As Privateers, we, as artists for the arts, can create a symbiotic system where fans can support the arts, and artists can blossom. We have taken a lose/lose scenario for the artist and the consumer and turned it in to a win/win: creativity can flow, and tastemakers can be rewarded and incentivized for turning people on to cool stuff. This model also works with film, books, music and any digital media. It is not a total solution, but it is a start.

  2. #2
    New Romantic
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    I'm not gonna lie. The first thing I thought of when I started reading this was "Wow, Chris Holmes from W.A.S.P. is a lot smarter than I gave him credit for."

  3. #3
    New Romantic
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    Ha ha, yeah, this Chris Holmes apparently gets that all the time.

  4. #4
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    So this guy envisions a world where Lucky Wilbury needn't exist? I'm very conflicted about that.

  5. #5
    New Romantic
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    I skipped the article and dove right into the music video. If this is the best we can expect from this shit I'll stick with the tried and true methods of music creation and delivery, thanks.

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    So his solution is to copy the Amway business model? While conveniently forgetting that while Amway sells physical products that people consume and must replace, the music industry sells digital products that are trivial to copy and obtain for free?

    Why not a Kickstarter model where fans invest in content creation from the beginning and not just leveraged as sales tools? Why not make that a literal investment, where fans can not only fund projects they believe in but become producers and reap the proceeds if the stuff they champion becomes a big hit?

    Why not anything but Amway?

  7. #7
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    Quote Originally Posted by Tracy Baker View Post
    So his solution is to copy the Amway business model? While conveniently forgetting that while Amway sells physical products that people consume and must replace, the music industry sells digital products that are trivial to copy and obtain for free?

    Why not a Kickstarter model where fans invest in content creation from the beginning and not just leveraged as sales tools? Why not make that a literal investment, where fans can not only fund projects they believe in but become producers and reap the proceeds if the stuff they champion becomes a big hit?

    Why not anything but Amway?
    I agree that it's a pyramid sales scheme and would take a lot of goodwill from consumers (which I would never bet on).

    I think a problem with an investment model would be that a lot of fake bands would take the money and run.

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    Quote Originally Posted by John Many Jars View Post
    I think a problem with an investment model would be that a lot of fake bands would take the money and run.
    Which is why I don't plan to write a 10,000-word article about it.

    That said, it might be viable for established artists.

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    The main flaw I see in all these(movie, music, games, books, etc) plans to fight losses due to piracy is- they all involve trying to prop up revenue to the levels of the past.

    I think that's doomed to fail. I don't believe there is some as yet undiscovered secret strategy that would allow this.

    I think it's much more likely that the old business will die, and be replaced by a new model that is only now just forming.

    Think of Mozart. He didn't have a record industry deal. There was no billion dollar corporate backing then. Yet he still created tons of great music for most of his life. How? A different way artists were supported in their efforts compared to now. Just as I expect someday in the future people will be making music, efforts made possible via a different financial support system than available now.

    This guy's plan hinges on not just one sale, but multiple sales of the same music! That guy is living in some demented dreamworld. And his reasoning "You'll have incentive to sell it because you'll share in the profits" is meaningless. I could be one hundred percent gung ho for selling, so what? It's making people want to BUY that is the important part(and hard part). What is the added incentive to buy in this plan? There is none.

  10. #10
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    Any solution that relies on making people care more about the music they listen to is doomed to fail. 90% of consumers of any cultural good don't care enough for such things to work.

  11. #11
    Spinning Toe
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    Quote Originally Posted by chequers View Post
    Any solution that relies on making people care more about the music they listen to is doomed to fail. 90% of consumers of any cultural good don't care enough for such things to work.
    Exactly right. He talks about how we support fine arts museums and PBS because we know that's important to preserving culture, but I know a lot of people who'd be comfortable with replacing every museum with an octagon. And PBS with an MMA channel.

  12. #12
    World's End Supernova
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    What's going on in the music world? I don't really follow it. Are bands not making money?

    I thought that even in the good old days before piracy only a handful of bands made money from record sales. Is it really that much different now?

  13. #13
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    It's too badly written to bother teasing out what he thinks.

  14. #14
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    Quote Originally Posted by Mark Asher View Post
    What's going on in the music world? I don't really follow it. Are bands not making money?

    I thought that even in the good old days before piracy only a handful of bands made money from record sales. Is it really that much different now?
    I'd think that it would be even easier to make a moderate amount of money off of your music now, since you can become well known through the internet and sell stuff on itunes or whatever.

    It might be harder to make absurdly crazy amounts of money, but that's something I'm ok with.

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    Quote Originally Posted by gameoverman View Post

    Think of Mozart. He didn't have a record industry deal. There was no billion dollar corporate backing then. Yet he still created tons of great music for most of his life. How? A different way artists were supported in their efforts compared to now. Just as I expect someday in the future people will be making music, efforts made possible via a different financial support system than available now.
    Didn't Mozart die penniless?

  16. #16
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    As should all great artists.

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