It now seems that everything was upside-down on World War Z. “A nightmare from top to bottom,” describes one source with ties to the production, which appears to have been hampered from the outset by a lack of clear creative direction. Pitt hired the director of his choosing, Marc Forster (The Kite Runner, Finding Neverland), but Forster -- who has limited experience on effects-heavy tentpoles -- was not allowed to bring along his usual team. Instead, several more seasoned players were hired. The result, say multiple sources, is a seemingly headless enterprise driven by conflicts. At this point, the movie, with a price tag now said to be north of $170 million, needs as many as five weeks of complex reshoots, which are not expected to get underway until at least September. Paramount has taken the unusual step of hiring Prometheus scriptwriter Damon Lindelof to rework the film’s third act.
The studio announced in March that it was moving the film to June 2013 from December.
Trouble emerged early: Three weeks before shooting was to begin in June 2011, sources say Forster had not made critical decisions about what the zombies would look like and how they would move. “They just couldn’t get it right,” one insider says. “There was a lot of spinning of plates, a lot of talking. [But] they did not have a plan.” Meanwhile, seasoned below-the-line talents were hired, then replaced, including line producer Colin Wilson (Avatar) and Oscar-winning effects man John Nelson (Gladiator). Cinematographer Robert Richardson, who has three Oscars, is said to have asked to leave the production on more than one occasion. (None would comment for this report.)