In the tradition of renovating their games so that they’re almost unrecognizable (in a good way!), Stardock has pulled away the scaffolding from Galactic Civilization III to reveal the Crusade DLC, available May 4, for $20. If you don’t already have Galactic Civilization III, you can buy it bundled with the Crusade DLC for $40. Let me show you one of several reasons you’ll want it.
I can only think of nine reasons Monopoly is terrible. But I can think of at least ten reasons Mage Knight is terrible, so it takes the prize as worst boardgame of all time.
Here are the ten reasons. Continue reading →
I can understand why Simon Parkin, one of the rare videogame critics worth reading, seems to be feeling some anxiety about his job. A lot of people feel must feel that way, whether they’re plumbers, doctors, or social workers. But Parkin implies his anxiety is unique. So he’s written an article about writing articles about videogames:
But no matter how scintillating the text, when the real world starts to tremble, when fascism begins to rise, when the bombs start to fall, when real lives and real rights are imperilled, the job of writing about [videogames] is further undercut. Why waste our time focused on fictional quests when so much of the real world is in need of repair?
Now maybe I’ve missed it, but I don’t see anyone writing these articles about books, movies, or music.
I can think of at least nine reasons this list might be lacking: Gears of War 4, Uncharted 4, Titanfall 2, Salt and Sanctuary, Kathy Rain, Virginia, Forza Down Under, Dead Rising 4, and The Last Guardian. All games I didn’t get to play this year. I’ll throw in Just Dance 2017 to make it an even ten.
But from among the games I did play this year, let me tell you about my ten favorites.
After the jump, okay, maybe I did play Just Dance 2017, but I’d like to keep that between us. Continue reading →
Overrated is a loaded term. It looks good in a headline. It’s often used for no purpose other than to goad a reaction. But that doesn’t mean it isn’t useful. When I call a game overrated, I don’t mean it’s bad, that the reviews were wrong, that the people who liked it were dopes, or even that I didn’t like it. It just means I’m surprised more people weren’t more critical, that the conversation wasn’t more often about ways the game could have been better.
After the jump, the ten most overrated games of 2016. Continue reading →
So if the most disappointing category is a list of games that should have been better, the most surprising category is the opposite. These are games that were better than they should have been. Just as disappointing is about falling short of expectations, these surprising games exceeded expectations and, in some cases, were among the best games of the year.
After the jump, the ten most surprising games of 2016. Continue reading →
Calling a game disappointing arguably has more to do with me than the game itself. Disappointment isn’t an inherent quality. It can’t exist without some sort of expectation in the first place. In many cases, these games are sequels, or the creations of developers with proven track records, or entries in established genres, or games with promising beginnings. But for various reasons, a central fact about these games is that I had personally hoped they would be better.
After the jump, the ten most disappointing games of 2016. Continue reading →
And that’s a wrap for an entire month of horror recommendations! As we leave you with a couple of picks that didn’t quite fit our other categories, we wish you a happily harrowing Halloween weekend.
After the jump, our ultimate recommendations. Continue reading →
Comics have embraced horror since the earliest days of the medium, from EC Comics and Will Eisner on through to the present day. Since the Comics Code restrictions were relaxed a few decades ago, and with artists and writers like Guillermo Del Toro expressing an abiding love, it’s only natural that today we’ve got a couple of scary comic book recommendations.
After the jump, not just for kids anymore Continue reading →
In 2014 Sarah Koenig and her producers from This American Life set the podcast world ablaze with their 12-part true crime podcast, Serial. The incredible popularity of that podcast demonstrated that serialized, multi-episode story podcasts might find a willing audience looking for long, heavily detailed stories. If they seemed to have the faintest whiff of reality to them, so much the better.
After the jump, horror for your earholes Continue reading →
Even fairly recently, internet streaming video sites like Youtube and DailyMotion were considered a sort of holding spot for music clips and cat videos, not that there’s anything wrong with that. But if you go looking, there’s some creepy video footage to be found lurking in the shadows of those sites. Videos of unexplained phenomenon and weird events abound.
After the jump, did you see that? Continue reading →
You can find the weirdest stuff online. Webcomics, blogs, performance art. Surely some of these are ideal Halloween fodder.
After the jump, let’s peek into a couple of strange corners. Continue reading →
At the end of our week of Halloween reading recommendations, it’s time to weigh in with our favorites.
After the jump, beyond Iditarods and Fifth Waves (pictured) Continue reading →
Horror is a young man’s game. Because as you get older, you have grandkids and you get all sentimental like Steven Spielberg or you lose your touch like John Carpenter or you just decide you’d rather chill out and do something else like Stephen King. Youth is the time to get all wound up about anxiety, fear, and dread. Later years are for just relaxing. Right?
After the jump, wrong. Continue reading →
I’m honored that a site called Folks is letting me write about something other than videogames and movies. Well, about something other than videogames, at any rate. I’ve written about what it’s like having first-hand experience with cancer and then seeing it in movies.
When you do a keyword search for cancer on the Internet Movie Database, you get 1500 entries. Breaking Bad is at the top of the list. Bryan Cranston’s cancer gives him license to break bad. He starts a meth lab to support his family. The series creator, Vince Gilligan, summarizes Breaking Bad as a story about a mild-mannered teacher who becomes the equivalent of Scarface.
Because cancer. Cancer lets you become an over-the-top Al Pacino character.