The best thing you’ll see all week: The Dead Outside

As boys continue to make zombie movies, the female characters will continue to be boy fantasies. Danai Gurira’s character in Walking Dead, Michonne, consists mostly of tight pants and a samurai sword. Even Laurie Holden as Andrea confesses that she loves the thrill of the kill, which we already knew from how quickly she plunges knives into zombies. The most recent [Rec] movie exists only to show a woman in a wedding dress taking a chainsaw to a zombie, even if it’s a bit more than the actress can handle. In the Canadian thriller The Day, Ashley Bell (one of two reasons to see The Last Exorcism*) plays one of the most bad-ass zombie killing chicks you’ll see in any zombie movie with or without zombies, and she makes it worthwhile sticking around for the final scene. Michonne wishes she was that bad-ass.

But what kind of bad-ass zombie killing chick do you get when a woman makes an arthouse zombie movie? The answer to that is April in the very Scottish horror movie The Dead Outside, directed by Kerry Anne Mullaney. April is a closed book behind her needlepoint, her porcelain figures, her hunting rifles, and her steely blue eyes. This last character trait is the exclusive and invaluable contribution of Sandra Louise Douglas, an actress with only this film to her credits. She plays April with a raw unfocused anger and she does a remarkable job revealing something else as the movie progresses.

You have to watch The Dead Outside closely and you have to listen carefully. If the quiet sound mix isn’t bad enough, the Scottish accents can make the dialogue impenetrable to American ears. The cinematography is deliberately dreary. A nighttime scene is, sure enough, shot at night. And it’s slow because it’s about the relationship between the characters rather than April’s prowess with firearms. But if you want a new take on chicks killing zombies, The Dead Outside reveals that a tight outfit can’t hold a candle to the fire in Douglas’ fierce bright eyes.

The Dead Outside is available on Netflix instant watch.

* The other is Caleb Landry Jones who, as far I know, has never killed a zombie.
  • IVIontgom

    Why is this the best thing I will see all week? From the review:
    - The movie is extremely slow
    - The music often covers the dialog
    - The cinematography is dreary and dark

    To that list I would add that the audible dialog is rather absurd, the flashbacks were a confused mess, and come to think of it so were all of the actions scenes. From the sound mix to the camera work to the dialog, it just seemed cheap and poorly done.

    As a challenger for the best movie of the week, I would instead nominate Dungeons and Dragons 3: The Book of Vile Darkness. You can tell what the characters are saying, the camera conveys what is happening, and the the warrior-witch Akodia’s reveal at the end was amazing.

  • CB

    I’ve never thought about female characters in zombie movies just being boy fantasies. It makes sense, but most of the ones that are “boy fantasies” are characters in poorly made zombie movies. I think too many zombie movies, as you mentioned, fail to be about the relationships and forgot that the allure of the zombie apocalypse isn’t the jump scares or the blood and gore. I think The Road is the best Zombie movie made in a long time. I might be a bit of a pessimist but I think a zombie apocalypse would be a lot like that. It is nobody’s fantasy.

  • CB

    He didn’t like Halo 4 either! Can you believe that?!

  • tomchick

    Excellent point, CB. It’s a bit like complaining that pickles aren’t sliced consistently when you eat at McDonalds. You’re eating at McDonalds. What did you expect?

    But the cool thing about zombie mythology going mainstream is that you start to see new levels of quality, new perspectives. As much as I love what 28 Days Later, for instance, does for the genre, Naomi Harris is still mostly a cardboard cutout. So that’s one of the reasons that April in Dead Outside was so notable for me. Hey, a well written female character in a zombie movie where the writing doesn’t just consist of her being a bad-ass!

  • tomchick

    Well, I suppose it depends on what else you’ve seen this week, doesn’t it? If only you hadn’t seen that D&D movie you mentioned, I might have had a point! Rats!

  • sillhouette

    Another fun example: “I Love Sarah Jane” http://www.youtube.com/watch?v=gYxs7Y7ulrM
    “So, how’s it going…”

  • CB

    Finally watched it. I did find myself thinking “well why isn’t she more like…” or “why doesn’t she do this instead…” the whole time, but it was because I was expecting her to be more like that sexed up warrior princess. Eventually I caught on that she was acting that way because of all the baggage she was carrying, which wasn’t portrayed in the typical melodramatic, static way it is portrayed in a lot of movies. “I’m emotionally scarred but it doesn’t effect my zombie fighting abilities at all until the very end where it gives the hero a perfect opportunity to rescue me and be heroic!”

    It was fun watching it with this piece giving it some perspective. She was just a person who had all her own emotional crap to deal with on top of the zombie apocalypse crap that everybody else had to deal with. It was interesting. I just wish Netflix didn’t have such horrible sound quality. I couldn’t understand some of the dialogue and I think I missed some things that were probably important.

  • tomchick

    Glad you got to see it, CB! By the way, I also really like the reveal about Daniel, but I mostly enjoyed April’s intensity. Unfortunately, I don’t think the sound is a Netflix issue. The sound mix is really off during a fairly crucial point in the movie.

    Do be sure to see The Day if you want to see a typical warrior princess. Ashley Bell kicks so much ass in that movie.

  • tomchick

    I also like to call that short “I Love Mia Wasikowska”